Join Us in Washington D.C. to Celebrate Culture and Heritage on Public Domain Day

Creative Commons is pleased to be a part of the second annual Public Domain Day celebration held in Washington D.C. on January 30, 2020! 

In collaboration with the Internet Archive, the Institute for Intellectual Property & Social Justice, the Program on Information Justice and Intellectual Property, and SPARC, this event will “bring together a diverse group of organizations, musicians, artists, activists, and thinkers” to celebrate the works entering the public domain in 2020 as well as highlight the “elements of knowledge and creativity that are too important to a healthy society to lock down with copyright law.”

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The program includes lightning talks on a variety of topics, such as bias in algorithms, shared cultural resources, and technological innovation. There will also be a panel discussion on “how the freedom to build upon creative works can inspire and move culture” and live performances by the Bob Schwartz Quartet! 

Location 

January 30, 2020 | 5:30-9:00pm American University Washington College of Law, Grossman Hall 4300 Nebraska Ave., NW, Washington, D.C. 20016

Program

  • 5:15 – Registration Opens
  • 5:30 – Facets of the Public Domain – Public Interest Organization Showcase and Reception (featuring the Bob Schwartz Quartet)
  • 6:30 – Realizing Access to the Public Domain 
  • 6:50 – Remixing the Public Domain
  • 7:15 – Too Important to be Protected: Limits on Copyright for a Healthy Society – Presentation by former MEP Julia Reda, followed by Lighting Talks
  • 8:30 – Reception: featuring the Bob Schwartz Quartet

Interested in joining us? Register here!

If you’re not able to attend, there will be a webcast available here starting from 6:30 PM EST on January 30, 2020!

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14 Paris Museums Put 300,000 Works of Art Online: Download Classics by Monet, Cézanne & More | Open Culture

“First trips to Paris all run the same risk: that of the museums consuming all of one’s time in the city. What those new to Paris need is a museum-going strategy, not that one size will fit all. Tailoring such a strategy to one’s own interests and pursuits requires a sense of each museum’s collection, something difficult to attain remotely before Paris Musées opened up its online collections portal….”

DPLA cultural artifacts coming to Wikipedia through new collaboration with Wikimedia Foundation | DPLA

“In an effort to make artifacts from cultural heritage institutions more accessible to all, Digital Public Library of America (DPLA), the national aggregator of digital heritage collections, and the Wikimedia Foundation, the nonprofit that operates Wikipedia and other free knowledge projects, are collaborating to incorporate DPLA’s cultural artifacts into Wikipedia and other Wikimedia projects. Funded by a generous grant from the Alfred P. Sloan Foundation, this collaboration will expand the availability of artifacts such as books, maps, government documents, photos, and more from U.S. cultural heritage institutions across the web.  …”

Open content : plus de 100 000 œuvres des collections des musées de la Ville de Paris en libre accès | Paris Musées

From Google’s English:  “A new step in the development of Paris Museums’ digital policy, the launch of Open Content contributes to increasing and improving the dissemination of collections and reinforces actions in favor of better access to art and culture. It also promotes increased visibility of works and knowledge of municipal collections in France and abroad.

This opening of data guarantees free access and reuse by all of digital files, without technical, legal or financial restrictions, for commercial use or not.

Images representing works belonging to the public domain under CCØ license (Creative Commons Zero) are made available to all internet users via the Paris Musées collections portal. Initially, the reproductions of works in 2D which are not subjected to rights are available in Open Content, the images subjected to rights remain in low definition in order to illustrate the files of the website of the collections. Art lovers can for example download the works of the big names in photography (Atget, Blancard, Marville, Carjat …) or painting (Courbet, Delacroix, Rembrandt, Van Dyck …)….”

Class of 2020: New in the Public Domain today! – The Public Domain Review

“Happy Public Domain Day! Pictured above is our top pick of artists and writers whose works, on 1st January 2020, enter the public domain in many countries around the world. Of the eleven featured, seven will be entering the public domain in countries with a “life plus 70 years” copyright term (e.g. most European Union members, Brazil, Israel, Nigeria, Russia, Turkey, etc.) and four in countries with a “life plus 50 years” copyright term (e.g. Canada, New Zealand, and many countries in Asia and Africa) — those that died in the year 1949 and 1969 respectively. As always it’s a motley crew assembled for our graduation photo, including one of the most famous American writers of the 1950s and 60s, a key figure of the Frankfurt School, a charismatic spiritual teacher, the so-called Nightingale of India, and the “King of the Twelve-String Guitar”….”

Implementing the new EU provisions that allow the use of out-of-commerce works – International Communia Association

“Last week, we launched our Guidelines for the Implementation of the DSM Directive. This is part of a series of blogposts dedicated to the various provisions analysed in our guidelines. Today we give a quick explanation of the mandatory provisions in the new Copyright Directive that allow cultural heritage institutions to digitise and make out of commerce works in their collections available online….”

Download More Than 300 Art Books From the Getty Museum’s Virtual Library | Colossal

“Over the last five years, the Los Angeles-based Getty Museum has developed a program to share more than three hundred books in its Virtual Library. Each unabridged volume, drawn from the Getty Publications Archive, has been cleared for copyright issues and is available for free download. Greg Albers, Digital Publications Manager for Getty Publications, shared with Hyperallergic that books in the Virtual Library have been downloaded 398,058 times to date. The initiative is a way to keep compelling and historically important books available even if they have, literally, gone out of print. Topics in the Virtual Library collection range from fine and decorative art genres to features on specific artists. Dive into diverse titles including “Art and Eternity: The Nefertari Wall Paintings Conservation Project 1986 – 1992” and “Julia Margaret Cameron: The Complete Photographs”—among dozens and dozens of others on the Virtual Library Website….”

Download More Than 300 Art Books From the Getty Museum’s Virtual Library | Colossal

“Over the last five years, the Los Angeles-based Getty Museum has developed a program to share more than three hundred books in its Virtual Library. Each unabridged volume, drawn from the Getty Publications Archive, has been cleared for copyright issues and is available for free download. Greg Albers, Digital Publications Manager for Getty Publications, shared with Hyperallergic that books in the Virtual Library have been downloaded 398,058 times to date. The initiative is a way to keep compelling and historically important books available even if they have, literally, gone out of print. Topics in the Virtual Library collection range from fine and decorative art genres to features on specific artists. Dive into diverse titles including “Art and Eternity: The Nefertari Wall Paintings Conservation Project 1986 – 1992” and “Julia Margaret Cameron: The Complete Photographs”—among dozens and dozens of others on the Virtual Library Website….”

We’re open! — Thoughts on building a new home for SMK’s online collection

“It’s alive. After months (ok years) of discussion, iteration, and intense testing we’ve now opened the digital door to SMK’s new online collection. We are truly thrilled to be able to contribute to SMK [Statens Museum for Kunst]— and openglam — goals of making cultural heritage easily available in friendly, open formats….”