“The DPLA is launching an open-source tool for fast, large-scale data harvests from OAI repositories. The tool uses a Spark distributed processing engine to speed up and scale up the harvesting operation, and to perform complex analysis of the harvested data. It is helping us improve our internal workflows and provide better service to our hubs. The Spark OAI Harvester is freely available and we hope that others working with interoperable cultural heritage or science data will find uses for it in their own projects.”
“Collecting data from international partners, analyzing it, creating a reconstruction of Palmyra in virtual space, and sharing the models and data in the public domain. We are using digital tools to preserve heritage sites.
Hosting live workshops and building a network of artists, technologists, archaeologists, architects, and others to research, construct models, and create artistic works. We create exhibitions and experiences in museums and institutions globally, celebrating the cultural heritage of Syria and the world through the lens of architecture embodying culture and power.
Helping to advance open data policies in museums and institutions through advocacy, education, and consultation.
Together with our international affiliates, #NEWPALMYRA sources archaeological and historical data, shares it with the community, and outputs art exhibitions, salons, and creative works using this data to carry the rich history of Palmyra forward to new generations….”
“The goal of this survey is to understand the current state of open policies by governments around the world. Open data policies, with which government provide data they hold for public to use, is adapted in many parts of the world. Open educational resources in some countries are supported by government policies or funding. However, we do not have any good global overview on how these policies are adapted. Based on the survey, we will create a quick overview of global open policy.
By open policies, we mean those policies that require, encourage, or support open provision of various information resources typically by using an open license (such as Creative Commons Attribution License or Open Database Commons License) or waiving copyrights. It means that as a result, the resources will become open – any person can use the resources for almost any purpose, including for commercial use, copying, remixing, and modification.
This survey is conducted by a consortium of seven organisations from six continents (Centrum Cyfrowe, re:share, Karisma Foundation, SPARC, CommonSphere, AusGOAL, and the National Copyright Unit Australia ) for its “State of Open Policy 2015” project, a part of a bigger initiative called Open Policy Network, an international group of more than 50 organizations promoting open policy. Our aim is to write a report that provides a global overview of the development of open policies. The report will include the overview of the movement related to open policy in different regions, significant initiatives to be shared, and future prospects.
We are looking at open policies in four open fields, namely , Open Education (OE), Open Science (OS), Open Data (OD), and Open Heritage (OH). …”
“Europeana Photography is now launching as the outcome of a collaboration between Europeana and PHOTOCONSORTIUM, the International Consortium for Photographic Heritage. Giving access to a vast archive of historical images, it’s a treasure trove of carefully selected pictures from the first 100 years of photography. The latest thematic collection on the Europeana platform, Europeana Photography presents high-quality images and compelling stories from Europe’s most astonishing historical picture collections. Just be warned: once you’ve stepped into our time capsule, you’ll never want to leave!”
– The purpose of this paper is to situate the activity of digitisation to increase access to cultural and heritage content alongside the objectives of the Open Access Movement (OAM). It demonstrates that increasingly open licensing of digital cultural heritage content is creating opportunities for researchers in the arts and humanities for both access to and analysis of cultural heritage materials.
– The paper is primarily a literature and scoping review of the current digitisation licensing climate, using and embedding examples from ongoing research projects and recent writings on Open Access (OA) and digitisation to highlight both opportunities and barriers to the creation and use of digital heritage content from galleries, libraries, archives and museums (GLAM).
– The digital information environment in which digitised content is created and delivered has changed phenomenally, allowing the sharing and reuse of digital data and encouraging new advances in research across the sector, although issues of licensing persist. There remain further opportunities for understanding how to: study use and users of openly available cultural and heritage content; disseminate and encourage the uptake of open cultural data; persuade other institutions to contribute their data into the commons in an open and accessible manner; build aggregation and search facilities to link across information sources to allow resource discovery; and how best to use high-performance computing facilities to analyse and process the large amounts of data the author is now seeing being made available throughout the sector.
– It is hoped that by pulling together this discussion, the benefits to making material openly available have been made clear, encouraging others in the GLAM sector to consider making their collections openly available for reuse and repurposing.
– This paper will encourage others in the GLAM sector to consider licensing their collections in an open and reusable fashion. By spelling out the range of opportunities for researchers in using open cultural and heritage materials it makes a contribution to the discussion in this area.
– Increasing the quantity of high-quality OA resources in the cultural heritage sector will lead to a richer research environment which will increase the understanding of history, culture and society.
– This paper has pulled together, for the first time, an overview of the current state of affairs of digitisation in the cultural and heritage sector seen through the context of the OAM. It has highlighted opportunities for researchers in the arts, humanities and social and historical sciences in the embedding of open cultural data into both their research and teaching, whilst scoping the wave of cultural heritage content which is being created from institutional repositories which are now available for research and use. As such, it is a position paper that encourages the open data agenda within the cultural and heritage sector, showing the potentials that exists for the study of culture and society when data are made open.
“The National Portal and Digital Repository for Indian Museums are developed and hosted by Human-Centred Design & Computing Group, C-DAC, Pune as per the agreement with Ministry of Culture, Government of India. HCDC Group has also developed JATAN: Virtual Museum software which is used for creating the digital collections in various museums and digital archival tools that are used in background for managing the national digital repository of museums….”
“This website provides access to some of the remarkable materials digitized as part of the ongoing, multi-year Colonial North American Project at Harvard University.
When complete, the project will make available to the world digitized images of all known archival and manuscript materials in the Harvard Library that relate to 17th and 18th century North America. Scattered through twelve repositories, these documents reveal a great deal about topics such as social life, education, trade, finance, politics, revolution, war, women, Native American life, slavery, science, medicine, and religion. In addition to reflecting the origins of the United States, the digitized materials also document aspects of life and work in Great Britain, France, Canada, the Caribbean, and Mexico. The ‘Essays’ on this website are the work of a Summer 2015 Arcadia Fellow, Alicia DeMaio, who was one of the first researchers to connect thematically related material from among the images digitized to date….”
“Contains almost 6,000 views of Europe and the Middle East and 500 views of North America. Published primarily from the 1890s to 1910s, these prints were created by the Photoglob Company in Zürich, Switzerland, and the Detroit Publishing Company in Michigan. The richly colored images look like photographs but are actually ink-based photolithographs, usually 6.5 x 9 inches. Like postcards, the photochroms feature subjects that appeal to travelers, including landscapes, architecture, street scenes, and daily life and culture. The prints were sold as souvenirs and often collected in albums or framed for display. The Library of Congress Prints and Photographs Division assembled this collection from two sources that provided prints in mint condition. In 1985, the prints of Europe and the Middle East were purchased from the Galerie Muriset in Switzerland. In 2004, Howard L. Gottlieb generously donated the North American views. Additional photochroms can be found in the collections listed in the Related Resources section….”