“The Heritage Lab’s mission is to make museums accessible to people in terms of knowledge and content. We started with choosing objects and creating freely accessible educational content around them for teachers to use in the classroom. Most of the time we have to seek permission to reproduce these object images on our website….
For teachers, developing independent lesson plans (based on the city they are located in) is quite tough because they have zero access to openly reusable Indian museum resources, and their students cannot reproduce these objects in different formats. So teachers and students end up sourcing Indian material from non-Indian, open access institutions like the New York Public Library, the Cleveland Museum of Art, the British Library and Dublin’s Chester Beatty Library.
On a positive note, every year we host Art+Feminism Edit-a-thons (established in 2017) and we get a lot of support from participants in making museum content (images and text) freely accessible on Wikipedia. We would love to do more in terms of creatively re-using museum artworks, but that’s not possible in the current framework….”
“We interviewed Larissa Borck for the upcoming series of webinars that the Swedish National Heritage Board will be hosting around Open GLAM and how to open up your digital collection. The webinars will be happening between October and November at morning European time, but they will be recorded and made available. We wanted to explore with Larissa what’s the idea of the webinars, what they expect to obtain from it, and what are their plans for the future….”
“Open GLAM presents global perspectives on open access to the cultural heritage in Galleries, Libraries, Archives and Museums (GLAMs). Submissions are welcome so please don’t hesitate to submit a story….”
“Now, staff members at the Medical School’s Countway Library are reviving the initiative with a 21st-century twist. They’re planning to assemble new boxes of replica human bones and skulls rendered through 3D printing in a program they’re calling Beyond the Bone Box….
The library houses an anatomical museum, which is expected to preserve rare anatomical specimens in perpetuity, but as part of the library system, it also has an educational mission. Creating 3D models of rare specimens allows the museum to safeguard the originals while still allowing Countway’s special collections to be used as teaching tools….
“A bone box is mostly about access,” Hall said. “With a collection that has human remains in it … education is critical to your existence. Otherwise this is just a strange horde that you never share, and ethically that’s irresponsible.” …”
“In 2017, JSTOR received a grant from the National Endowment for the Humanities to investigate processes for digitizing Arabic-language scholarly content. Our goal in the project was to develop a workflow for scanning Arabic materials–especially journals– that is reasonably cost-efficient, feasible to implement at scale, and likely to produce high-quality images and metadata, including fully searchable text….
Through this investigation, we concluded that, using new metadata guidelines and OpenITI’s software, and leveraging specific workflows created jointly with Apex, it is possible for JSTOR to digitize Arabic language journals with the high-degree of accuracy needed to support search and discovery at a cost of approximately $3 per page, with the promise that this per page cost could be reduced further through continuous improvements in the OCR software engine. In this white paper, we contextualize our investigation in the broader landscape of digital scholarly literature in Arabic. We then document our approach and findings from this project, which took place over 20 months from April 2017 through December 2018. And finally, we lay out some areas we identified for potential further research….”
“The South Asia Open Archives (SAOA), a subset of the South Asia Materials Project (SAMP), creates and maintains a collection of open access materials for the study of South Asia. This major collaborative initiative is aimed at addressing the current scarcity of digital resources pertinent to South Asia studies and at making collections more widely accessible both to North American scholars and to researchers worldwide….”
“How many cultural heritage institutions make their digital collections available for free reuse? How do they do this, and where is open access most prevalent? Twelve months ago, Andrea Wallace and I set out to find some answers.
In the first post in a short series, I recount the origins and motivations of the Open GLAM survey….”
“The OpenGLAM initiative is currently working on a modern set of principles and values on Open Access for Cultural Heritage. We expect to draft a Declaration that outlines the rationales behind open access policy adoptions, acknowledges different cultural backgrounds, and addresses ethical and privacy considerations to help promote the adoption of open policies by a broader set of organizations around the world.
By February 2020 we will release a green paper focusing on the legal foundations of open access for cultural heritage, and examining some of the broader questions around copyright and open licensing, traditional knowledge, ethical and privacy concerns, and technical standards for open access. Following a consultation period, we plan to publish a final version of that paper and make the official launch of the Declaration on Open Access for Cultural Heritage by 2020. If you would like to get involved, please write to us at info [at] openglam.org….”