“The Louisiana Digital Library (LDL) is an online library of more than 144,000 digital items from Louisiana archives, libraries, museums, and other repositories, making unique historical treasure accessible to students, researchers, and the general public in Louisiana and across the globe. The items in the Louisiana Digital Library are as diverse and interesting as the people and places in Louisiana, with photographs, maps, manuscript materials, books, oral histories, and more documenting the state’s history and culture….”
“The national digital platform is a way of thinking about and approaching the digital capability and capacity of libraries and museums across the US. In this sense, it is the combination of software applications, social and technical infrastructure, and staff expertise that provide digital content, collections, and related services to users in the US.
As libraries and museums increasingly use digital infrastructure to provide access to digital content and resources, there are more and more opportunities for collaboration around the tools and services that they use to meet their users’ needs. It is possible for each library and museum in the country to leverage and benefit from the work of other organizations in shared digital services, systems, and infrastructure….”
“Since 2010, Clemson University and the National Park Service have collaborated on the Open Parks Network, an Institute of Museum and Library Services funded project that has resulted in the digitization of over 350,000 cultural heritage objects and 1.5 million pages of gray literature housed in the libraries, museums, and archives of our nation’s parks, historic sites, and other protected areas. More than 20 national parks and other protected sites are represented in these diverse collections, as well as 2 state park systems and 3 university libraries. The Open Parks Network provides public access to high-resolution, downloadable files….”
“The handheld scanner looks like an old-school video game controller, a clunky throwback to the early days of Atari. But these mobile 3-D scanners used by the staff in the Indiana University-Purdue University Indianapolis University Library Center for Digital Scholarship are actually very advanced technology, and they are changing the way we record recent history, ancient history and even the future….Proving its place at the front of the 3-D digital archiving crowd, the Center for Digital Scholarship recently received a grant from LYRASIS — a nonprofit organization for information professionals — to develop standards for how digital archives are recorded….”
“Collecting data from international partners, analyzing it, creating a reconstruction of Palmyra in virtual space, and sharing the models and data in the public domain. We are using digital tools to preserve heritage sites.
Hosting live workshops and building a network of artists, technologists, archaeologists, architects, and others to research, construct models, and create artistic works. We create exhibitions and experiences in museums and institutions globally, celebrating the cultural heritage of Syria and the world through the lens of architecture embodying culture and power.
Helping to advance open data policies in museums and institutions through advocacy, education, and consultation.
Together with our international affiliates, #NEWPALMYRA sources archaeological and historical data, shares it with the community, and outputs art exhibitions, salons, and creative works using this data to carry the rich history of Palmyra forward to new generations….”
“In honor of Thoreau’s 200th birthday, on July 12, hundreds of new images of his specimens, along with the data associated with them, will be posted online, part of a larger effort to digitize and open to the public the 5.5 million dried plant specimens in the Herbaria’s collection.
“I think it’s fair to say that the data that live inside these cabinets has been dark for far too long,” Davis said. “My vision for the collections is that we make everything online and accessible to the world.”
That larger effort has meant adopting a new “open-access digitization policy,” available on the Office for Scholarly Communication website, that puts most of the images — excepting those whose copyright is held by other institutions or individuals — in the public domain….
“The Herbaria is the first Harvard museum to adopt an open-access policy for its digitization projects,” said Peter Suber, director of the Office for Scholarly Communication. “Lifting restrictions from the bulk of its digital reproductions will bring this unique botanical collection to a global audience, and advance the Herbaria’s mission of research and education.” …”
“As of today, all images of public-domain works in The Met collection are available under Creative Commons Zero (CC0). So whether you’re an artist or a designer, an educator or a student, a professional or a hobbyist, you now have more than 375,000 images of artworks from our collection to use, share, and remix—without restriction. This policy change to Open Access is an exciting milestone in The Met’s digital evolution, and a strong statement about increasing access to the collection and how to best fulfill the Museum’s mission in a digital age.
The Met has an incredible encyclopedic collection: 1.5 million objects spanning 5,000 years of culture from around the globe. Since our audience is really the three billion internet-connected individuals around the world, we need to think big about how to reach these viewers, and increase our focus on those digital tactics that have the greatest impact. Open Access is one of those tactics.
The images we’re making available under a CC0 license relate to 200,000 public-domain artworks in our collection that the Museum has already digitally catalogued. This represents an incredible body of work by curators, conservators, photographers, librarians, cataloguers, interns, and technologists over the past 147 years of the institution’s history. This is work that is always ongoing: just last year we added 21,000 new images to the online collection, 18,000 of which relate to works in the public domain.”