The Louvre Has Digitized 482,000 Works — Wander The Museum Online, For Free : NPR

“One of the world’s most massive museums has announced an encompassing digitization of its vast collection.

“The Louvre is dusting off its treasures, even the least-known,” said Jean-Luc Martinez, President-Director of the Musée du Louvre, in a statement on Friday. “For the first time, anyone can access the entire collection of works from a computer or smartphone for free, whether they are on display in the museum, on loan, even long-term, or in storage.” 

Some of this is hyperbole. The entire collection is so huge, no one even knows how big it is. The Louvre’s official release estimates about 482,000 works have been digitized in its collections database, representing about three quarters of the entire archive. (The museum’s recently revamped homepage is designed for more casual visitors, especially those on cellphones, with translations in Spanish, English and Chinese.) …”

Louvre site des collections

“The database for the Louvre’s collections consists of entries for more than 480,000 works of art that are part of the national collections and registered in the inventories of the museum’s eight curatorial departments (Near Eastern Antiquities; Egyptian Antiquities; Greek, Etruscan and Roman Antiquities; Islamic Art; Paintings; Medieval, Renaissance and Modern Sculpture; Prints and Drawings; Medieval, Renaissance and Modern Decorative Arts), those of the History of the Louvre department, or the inventories of the Musée National Eugène-Delacroix, administratively attached to the Louvre since 2004.

The Collections database also includes so-called ‘MNR’ works (Musées Nationaux Récupération, or National Museums Recovery), recovered after WWII, retrieved by the Office des Biens et Intérêts Privés and pending return to the legitimate owners. A list of all MNR works conserved at the Musée du Louvre is available in a dedicated album and may also be consulted in the French Ministry of Culture’s Rose Valland database. 

Lastly, the Louvre Collections database includes information on works on long-term loan from other French or foreign institutions such as the Bibliothèque Nationale de France, the Musée des Arts Décoratifs, the Petit Palais, the Fonds National d’Art Contemporain, the British Museum and the archaeological museum of Heraklion. …”

Louvre museum makes its entire collection available online

“As part of a major revamp of its online presence, the world’s most-visited museum has created a new database of 482,000 items at collections.louvre.fr with more than three-quarters already labelled with information and pictures.

It comes after a year of pandemic-related shutdowns that has seen an explosion in visits to its main website, louvre.fr, which has also been given a major makeover….

The new database includes not only items on public display in the museum but also those in storage, including at its new state-of-the-art facility at Lievin in northern France….

Open Access and Art History in the 21st Century: The Case for Open GLAM – CODART CODART

“Almost 1000 cultural heritage institutions around the world1 have published some or all of their online collections for free reuse, modification and sharing. They are part of the ‘Open GLAM’ (Galleries, Libraries, Archives, Museums) movement that views liberal access2 and reuse (where culturally appropriate3) of digital collections as fundamental to education, research and public engagement.

A key principle of Open GLAM is that works in the public domain – in which copyright has expired or never existed – should remain in the public domain once digitized. However, many museums do assert copyright in digital reproductions of public domain artworks. How legally legitimate is this? Although the answer is not straightforward (the relevant copyright law is complex and lacks international harmonization), in the European Union the standard of originality for a new copyright requires that the work be the ‘author’s own intellectual creation’….”

Open Community Collections marks over 100 contributors – News | About JSTOR

“JSTOR’s Open Community Collection initiative has surpassed the 350 collection mark and is steadily growing, with more than 100 current contributing partners at libraries, museums, universities, and other institutions around the world….”

Cooper Hewitt Interaction Lab Presents: Activating Smithsonian Open Access | Cooper Hewitt, Smithsonian Design Museum

“The Activating Smithsonian Open Access Challenge (ASOA) from Cooper Hewitt’s Interaction Lab aims to support creative technology teams in designing engaging interactive experiences with Smithsonian Open Access collections for people all over the globe. Made possible by Verizon 5G Labs, this open call for proposals seeks to stimulate new ideas for inspiring digital interactions with over 3 million 2D and 3D objects in the Smithsonian’s Open Access collections, all available under a Creative Commons Zero (CC0) license for download, re-use, alteration, and even commercialization.

From these proposals, up to six finalists will receive $10,000 to develop their ideas into functioning prototypes to be presented and used by the public. A significant goal of the program is to identify compelling projects that the Interaction Lab might explore for wider use in the future. Creators will own all intellectual property they create in ASOA, subject to the Smithsonian’s license as set forth in the ASOA Participation Rules and Guidelines….”

Head of Digital Transformation, Smithsonian Institution

“The Head of Digital Transformation will be expected to conceptualize and execute an institutional digital transformation strategy, integrate and prioritize ongoing digital initiatives, ensure new and innovative ideas are considered and acted upon, and target a handful of key cultural and structural reforms needed to support a truly “One Smithsonian” digital approach.” 

Walters Art Museum Digitization Project | NEH Essentials

“In 2008, the Walters in Baltimore was awarded $307,500 from NEH to start digitizing their world-renowned collection of over 900 objects, some of which had never before been cataloged. The digitization began with The Islamic Digital Resource Project, a collection of the museum’s 128 illuminated Islamic manuscripts and leaves. A second grant of $315,000 included 105 manuscripts of German, Russian, Armenian, Byzantine, Ethiopian, Dutch, English, and Spanish origins, while a $265,000 grant covered digitization of 112 Flemish manuscripts, mainly the Books of Hours, dating between 1200 and 1600 CE….”