“OPERAS is a distributed Research Infrastructure (RI) project for open scholarly communication. The main goal is to introduce the principle of Open Science and ensure effective dissemination and global access to research results in the Social Sciences and Humanities (SSH)….”
“The Third Research Excellence Framework, scheduled for the mid-2020s, now has a mandate for open access books. Despite calls from the digitally enlightened, however, most humanities long-form writing remains very much ensconced within the traditions and economics (both symbolic and financial) of the printed book. In this talk, I will discuss the challenges of a migration from conventional books to an open access model and the range of approaches that are currently being taken.
In the age of data mining, distant reading, and cultural analytics, scholars increasingly rely upon automated, algorithm-based procedures in order to parse the exponentially growing databases of digitized textual and visual resources. While these new trends are dramatically shifting the scale of our objects of study, from one book to millions of books, from one painting to millions of images, the most traditional output of humanistic scholarship—the single author monograph—has maintained its institutional pre-eminence in the academic world, while showing the limitations of its printed format. Recent initiatives, such as the AHRC-funded Academic Book of the Future in the UK and the Andrew W. Mellon-funded digital publishing initiative in the USA, have answered the need to envision new forms of scholarly publication on the digital platform, and in particular the need to design and produce a digital equivalent to, or substitute for, the printed monograph. Libraries, academic presses and a number of scholars across a variety of disciplines are participating in this endeavour, debating key questions in the process, such as: What is an academic book? Who are its readers? What can technology do to help make academic books more accessible and sharable without compromising their integrity and durability? Yet, a more fundamental question remains to be answered, as our own idea of what a ‘book’ is (or was) and does (or did) evolves: how can a digital, ‘single-author’ monograph effectively draw from the growing field of digital culture, without losing those characteristics that made it perhaps the most stable form of humanistic culture since the Gutenberg revolution? Our speakers will debate some of these questions and provide their points of view on some of the specific issues involved. After their short presentations, all participants are invited to bring their own ideas about, and experience with, digital publishing to the table.”
“The WarSampo system 1) initiates and fosters large scale Linked Open Data (LOD) publication of WW2 data from distributed, heterogeneous data silos and 2) demonstrates and suggests its use in applications and DH research. WarSampo is to our best knowledge the first large scale system for serving and publishing WW2 LOD on the Semantic Web for machine and human users. Its knowledge graph metadata contains over 9 million associations (triples) between data items including, e.g., a complete set of over 95,000 death records of Finnish WW2 soldiers, 160,000 authentic photos taken during the war, 32,000 historical places on historical maps, 23,000 war diaries of army units, and 3,400 memoir articles written by the veterans after the war. WarSampo data comes from several Finnish organizations and sources, such as National Archives, Defense Forces, Land Survey of Finland, Wikipedia/DBpedia, text books, and magazines.
WarSampo has two separate components: 1) WarSampo Data Service for machines and 2) WarSampo Semantic Portal with various applications for human users.”
“IsoArcH is an open access spatial database of bioarcheological isotopic data of the Graeco-Roman world. It consists of georeferenced isotopic, archaeological, and anthropological information related to the study of dietary and mobility patterns of human and animal populations. IsoArcH focuses on the Mediterranean region between the 12th c. BC and the 8th c. AD, although some northern European sites are also included….”
“The SCA is experimenting with new ways of making our content accessible beyond the echo chamber of our discipline. As a section, we consider the accessibility of our work to be crucial aspects of public engagement and worlding anthropology, especially in contentious political moments. Our strategy centers on our efforts to make Cultural Anthropology a fully open-access journal, promote the ongoing series on our lively website, and generate buzz surrounding our social media that currently reach over 40,000 followers. All of this is made possible by a large team of student and postdoctoral contributing editors who make up the discipline’s next generation. Here, we highlight a sample of these activities in order to invite more scholars and students to the SCA.”
“Someday, I hope that all journal articles in my field are available to researchers around the world and the public at large, and not hidden behind pay-walls. After all, scientific research is heavily supported by tax-payers, so members of the public should be able to see, enjoy and learn what is being accomplished in the ever-expanding, and exciting field of human evolutionary studies.”
“Traditional academic publishing has been rumoured to be imperilled for decades now. Despite continued criticism over pricing and a growing open access movement, a number of recent reports point to the sector’s resilience. Francis Dodds suggests this is partly attributable to the adaptability of academic publishers but also highlights attitudes of researchers surprisingly committed to the status quo as another key factor. However, other aspects of researcher behaviour may prove more disruptive in the long term, with greater collaboration leading to the growing informal use and exchange of free material between researchers….”
“The Open Greek and Latin Project (OGL) is an international collaboration working to bring free access to all source texts written in Classical Greek or Latin from antiquity to c. 600 CE, including manuscripts, papyri, epigraphs, ostraca (broken pieces of ceramic material used as ballots) and more.
In 2016, the Harvard Library and the Harvard Center for Hellenic Studies joined forces with Mount Allison University and the University of Virginia to help the OGL implement a proof of concept of the project, focusing on the first thousand years of Greek texts. Funding for the First Thousand Years of Greek component of the OGL came from the Harvard Library through a grant from the Arcadia Foundation and the generous support of the Center for Hellenic Studies. The OGL is led by Professor Gregory Crane, the Humboldt Professor of Computer Science at the University of Leipzig and Professor of Classics at Tufts University and Editor-in-Chief of the Perseus Project. All partners in the project are providing staff and technical support.
This funding is helping the OGL complete the digitization of Greek texts and create an easy-to-use but functionally rich user interface. This will allow researchers to access, search, download, modify, and redistribute textual data to explore new forms in areas such as born-digital annotation, reading practices, audiences for Greek and Latin, and avenues of research. While the design of the website is under development, scholars are accessing and using the texts from GitHub, the software development platform. …”