Brazil’s Programa Nacional do Livro Didático (PNLD) is one of the largest national textbook programs in the world. Each year, the program procures curricula for a set of primary or secondary school subjects, including textbooks and digital supplemental resources for teachers. In 2017, PNLD spent R $1.3 billion (approximately US $400 million) to purchase more than 150 million textbooks for nearly 30 million students.
“The Global Network will identify and collaborate on a series of shared interests and priorities, which we have called Platforms. A Platform is an area of work, a space for individuals and institutions to organize and coordinate themselves across the broad network. It’s open to anyone inside and outside the Creative Commons Global Network to support, share experience and collaborate on its goals and objectives. Through Platforms, we want to initiate strategic collaboration between network members that will have worldwide impact.”
In early 2017, the Creative Commons Global Network (CCGN) completed a consultation process of renewing and reorganizing itself to support a strong and growing global movement. The year-long process resulted in the CCGN Global Network Strategy. Part of the new strategy is to establish defined areas of focus, or “platforms,” which will drive CC’s global activities. Platforms are how we organize areas of work for the CC community, where individuals and institutions organize and coordinate themselves across the CC Global Network.
In the spirit of openness and to effectively strategize, these platforms are open to all interested parties working in the platform area and adjacent spaces. That’s why Creative Commons invites you to join the CC Global Network Open Education Platform!
- Stay connected to global actions in open education resources, practice, and policy.
- Identify, plan and coordinate multi-national open education, practices and policy projects to collaboratively solve education challenges with an amazing group of open education leaders from around the world.
- Secure funding (from Creative Commons and other funding sources) for the open education projects we collectively select.
- Contribute to global perspectives on open education to strengthen advocacy worldwide.
- Connect your country / region to global open education initiatives.
- Be on the forefront in implementing Creative Commons’ global network strategy.
- Meet annually, in-person, at the Creative Commons Summit with members of the CC Open Education Platform to celebrate successes, share best practices, and plan for the next year.
- Explore, practice, and share innovative methods for inclusive and open engagement with educators, learners and governments around the world..
WHO should join?
- Open education advocates working in the areas of open educational resources, open educational practices, and/or open education policy.
WHAT are we working on right now?
- Reaching the right people (you!) to build a strong open education platform.
- Developing decision making and engagement structures.
- Defining the goals and projects the CC Open Education Platform will pursue.
Joining the CC Open Education Platform is easy and free:
- Sign up for the email list: https://groups.google.com/forum/#!forum/cc-openedu
- Sign up for IM (Slack or IRC):
- Review and contribute to the platform draft working doc.
- Attend and participate in the monthly meetings.
- The next meeting is October 18: 8:00pm / October 19: 9:00am (PDT, UTC -7).
- Note: every meeting has two different times – so everyone can attend one of the meetings during local daylight hours.
Please join the e-mail list and IM channel, introduce yourself, and we’ll see you at the next meeting!
“Today, Authors Alliance joins with other public interest advocates such as Creative Commons, SPARC, Internet Archive, OpenMedia, and Public Knowledge to sign on to a statement in support of transparency and balanced copyright policy in the renegotiation of the North American Free Trade Agreement (NAFTA). The statement was sent to the trade ministries of Mexico, the U.S. and Canada, urging all three countries to make trade negotiation processes more transparent, inclusive, and accountable.
Closed-door trade agreements are not the right forum to create intellectual property policy, particularly when negotiations lack transparency. It is critically important that drafts of international agreements that address intellectual property issues be publicly available for comment so that authors and other stakeholders can weigh in on the proposed rules that will bind all member states. Moreover, such agreements are not flexible enough to account for rapid changes in technology.”
Photo of Bassel Khartabil by Mohamed Nanabhay (CC BY)
We are deeply saddened and completely outraged to learn today that our friend and colleague Bassel Khartabil has been executed by the Syrian regime.
Bassel was Creative Commons’ Syrian project lead, an open source software programmer, teacher, Wikipedia contributor, and free culture advocate. He was also a devoted son and husband, and a great friend to many people in the open knowledge community around the world. The projects and communities he helped to build live on across the globe, and will remain a tribute to his leadership.
In March of 2012, Bassel was taken from the street in Damascus amid a wave of military arrests. He was jailed for several years, during which time he was allowed to infrequently communicate with family members. Then, in October 2015, he was abruptly transferred to an undisclosed location. At that time, all communications between Bassel and the outside world ceased. The Creative Commons board publicly called for Bassel’s immediate release, and the MIT Media Lab offered Bassel a research position in its Center for Civic Media. His family and friends prayed for his safe return, and are heartbroken today to learn the awful and terrifying news of his execution.
Over the past several years, a variety of human rights groups called for Bassel’s release. Amnesty International launched a campaign through its Urgent Action network that encouraged the public to write letters to Syrian authorities and urge them to grant Bassel access to his family, a lawyer, and medical attention. The US State Department singled him out on International Human Rights Day in 2015 as a “prisoner of conscience.”
Additionally, since his detention, an international community of Bassel’s friends and colleagues have worked to raise awareness about Bassel, his projects, and his story through the #FreeBassel campaign. As an extension of this project, a massive 3D-printed rendering of one of the Palmyra Tetrapylons was created for and exhibited at this year’s Creative Commons Global Summit. The rendering was a tribute to Bassel and was made directly possible by Bassel’s work in the founding of #NEWPALMYRA, an effort to digitally capture and remodel the endangered ruins of Palmyra.
Around the world, activists and advocates seek the sharing of culture, and open knowledge. Creative Commons, and the global commons of art, history, and knowledge, are stronger because of Bassel’s contributions, and our community is better because of his work and his friendship. His death is a terrible reminder of what many individuals and families risk in order to make a better society.
The post Statement on the death of CC friend and colleague Bassel Khartabil appeared first on Creative Commons.
“In the last round of author sharing policy revisions, Elsevier created a labyrinthine title-by-title embargo structure requiring embargoes from 12-48 months for author sharing via institutional repository (IR), while permitting immediate sharing via author’s personal website or blog. At the same time, all pre-publication versions are to bear a Creative Commons-Attribution-Noncommercial-No Derivatives (CC-BY-NC-ND) license. At the time this policy was announced, it was rightly criticized by many in the scholarly communication community as overly complicated and unnecessary. However, this CC licensing requirement creates an avenue for subverting the embargo in the IR to achieve quicker open distribution of the author’s accepted manuscript. In short, authors may post an appropriately licensed copy on their personal site, at which point we may deposit without embargo in the IR, not through the license granted in the publication agreement, but through the CC license on the author’s version, which the sharing policy mandates. This poster will outline this issue, our experimentation with application, and engage viewers in questions regarding its potential risks, benefits, and workflows.”
English Translation (Google): Open Access Monographs
“Es wirkt ja schon widersprüchlich, wenn eine Monographie zu Open Access zunächst geschlossen publiziert wird und erst in einem Jahr unter einer CC-BY-Lizenz freigegeben wird. Ich kenne allerdings dieses Dilemma auch aus Autorensicht und möchte mich vor diesem Hintergrund zur aktuellen Kritik am Praxishandbuch Open Access äussern.”
English Translation (Google): “It is already contradictory if a monograph on Open Access is first published in a closed version and is only released in a year under a CC-BY license. I know, however, this dilemma also from authoring and would like to express myself against this background to the current criticism of the Praxishandbuch Open Access.”
“The new book Open: The Philosophy and Practices that are Revolutionizing Education and Science, edited by Rajiv Jhangiani and Robert Biswas-Diener, features the work of open advocates around the world, including Cable Green, Director of Open Education at Creative Commons. This excerpt from his chapter, ‘Open Licensing and Open Education Licensing Policy,’ provides a summary of open licensing for education, as well as delves into the philosophical and technical underpinnings of his work in ‘open.’
“CC BY in fully open access journals is by far the dominant article type published by OASPA members. However, there is a notable increase in CC BY articles published in hybrid journals, as well as articles published under a CC BY-NC license in fully OA journals, pointing to an increase in articles published as OA generally.
Usage of the CC BY-NC-SA license has fallen in both hybrid and fully-OA journals published by OASPA members….”
“I have noticed before people on Flickr who give their work a CC license and then complain that folks take their photos without informing them (attribution, yes; informing/thanking, no). Sure, it’s good courtesy to thank folks if you use their photos, but such a hassle to do it for each photo you use on a slide deck or such. The whole point of using CC licensed stuff is to not always ask permission. That’s what the CC license is. Permission to anyone. To do what the license permits you to do. I realized that I always ‘favorite’ any photo I’m planning to use, so I guess I’m giving the creator some kind of indication that I like their photo, but not really telling them I’m planning to use it, or how.
I remember learning this the first time someone republished something of mine without my permission. If it’s CC licensed, the whole point is to tell them they don’t need to seek permission each time. It’s good courtesy, I think, to inform the author, but it’s not necessary. But it’s complex. If a for-profit entity republished my CC-BY-NC article, but publishes it openly and for free, is that a commercial use? What if the space has ads on it, is that a commercial use? If I publish my blog CC-BY and a for-profit magazine regularly republishes it, am I really OK with that? Am I OK with a magazine with values opposed to my own constantly republishing my stuff without my permission? What about if they take derivatives of my writing and use it in a different context, to really make an opposing point to mine, is that acceptable to me? These are not trivial questions, I think, for openness advocates to ask themselves.”