Abstract: A major barrier to the greater take-up of an open access model for journal publishing has been the concern of many journal owners that they will not easily be able to migrate from the current subscription-based model to open access. This paper presents a potential migration path which should significantly reduce the financial risk to journal owners, while allowing them to offer open access to their authors.
“We propose that editorial boards of journals ask their current publisher to agree to the principles of Fair Open Access….We propose that if a journal’s existing publisher cannot or will not meet these conditions the editorial board give notice of resignation, and transfer the journal to a publisher meeting the conditions….”
“Being published is the bread and butter of intellectuals, especially academics. publication, in theory, is a way for information to be shared across the globe, but it also has become big business. In a recent Chemistry World article the standoff between Germany’s Project DEAL (a consortium comprised of German universities) and Dutch publisher, Elsevier, is examined along with possible fall-out from the end result.
At the heart of the dispute is who controls the publications. Currently, Elsevier holds the cards and has wielded their power to make a clear point on the matter. Project DEAL, though, is not going down without a fight and Chemistry World quotes Horst Hippler, a physical chemist and chief negotiator for Project DEAL, as saying,
In the course of digitisation, science communication is undergoing a fundamental transformation process. Comprehensive, free and – above all – sustainable access to scientific publications is of immense importance to our researchers. We therefore will actively pursue the transformation to open access, which is an important building block in the concept of open science. To this end, we want to create a fair and sustainable basis through appropriate licensing agreements with Elsevier and other scientific publishers.
As publications are moving farther from ink and paper and more to digital who owns the rights to the information is becoming murkier. It will be interesting to see how this battle plays out and if any more disgruntled academics jump on board.”
“The Third Research Excellence Framework, scheduled for the mid-2020s, now has a mandate for open access books. Despite calls from the digitally enlightened, however, most humanities long-form writing remains very much ensconced within the traditions and economics (both symbolic and financial) of the printed book. In this talk, I will discuss the challenges of a migration from conventional books to an open access model and the range of approaches that are currently being taken.
In the age of data mining, distant reading, and cultural analytics, scholars increasingly rely upon automated, algorithm-based procedures in order to parse the exponentially growing databases of digitized textual and visual resources. While these new trends are dramatically shifting the scale of our objects of study, from one book to millions of books, from one painting to millions of images, the most traditional output of humanistic scholarship—the single author monograph—has maintained its institutional pre-eminence in the academic world, while showing the limitations of its printed format. Recent initiatives, such as the AHRC-funded Academic Book of the Future in the UK and the Andrew W. Mellon-funded digital publishing initiative in the USA, have answered the need to envision new forms of scholarly publication on the digital platform, and in particular the need to design and produce a digital equivalent to, or substitute for, the printed monograph. Libraries, academic presses and a number of scholars across a variety of disciplines are participating in this endeavour, debating key questions in the process, such as: What is an academic book? Who are its readers? What can technology do to help make academic books more accessible and sharable without compromising their integrity and durability? Yet, a more fundamental question remains to be answered, as our own idea of what a ‘book’ is (or was) and does (or did) evolves: how can a digital, ‘single-author’ monograph effectively draw from the growing field of digital culture, without losing those characteristics that made it perhaps the most stable form of humanistic culture since the Gutenberg revolution? Our speakers will debate some of these questions and provide their points of view on some of the specific issues involved. After their short presentations, all participants are invited to bring their own ideas about, and experience with, digital publishing to the table.”
Abstract: This article reports on a project, spanning the years 2013 to 2015, that assisted living Icelandic authors in opening access to out-of-print books that they wished to make publicly available. While this effort was small in scale, it sheds light on the complexities of releasing still-in-copyright works by living authors under a Creative Commons license. The project worked primarily with books that had been digitized by Google and included in HathiTrust’s collections. The project showed that Icelandic authors of older scholarly works were generally very interested in releasing them to the public at no charge by changing their rights status in HathiTrust. Meanwhile, authors who wished to release works that had not already been scanned were sometimes frustrated in their efforts to do so. The article concludes with some reflections on the benefits and drawbacks of author-by-author rights clearance, as compared to other ways of increasing the accessibility of out-of-print titles
In 2014, University of California, Davis University Library and the California Digital Library collaborated on an Andrew W. Mellon Foundation grant-funded project to explore costs associated with moving scholarly journal subscriptions in the U.S. market entirely to an Article Processing Charge business model, known also as ‘Gold Open Access.’ We contacted MacKenzie Smith, one of the principal investigators, in order to get her reflections on the process of gathering the data, and to discuss some implications of the findings. The interview suggests that the ‘Pay It Forward’ model could be successful over time, following a necessarily complex transition period.
“The SCA is experimenting with new ways of making our content accessible beyond the echo chamber of our discipline. As a section, we consider the accessibility of our work to be crucial aspects of public engagement and worlding anthropology, especially in contentious political moments. Our strategy centers on our efforts to make Cultural Anthropology a fully open-access journal, promote the ongoing series on our lively website, and generate buzz surrounding our social media that currently reach over 40,000 followers. All of this is made possible by a large team of student and postdoctoral contributing editors who make up the discipline’s next generation. Here, we highlight a sample of these activities in order to invite more scholars and students to the SCA.”
“As the editors of the Journal of Algebraic Combinatorics have announced the termination of their contracts to Springer, the publisher behind the journal, in June 2017, it has been a move coordinated with the journal’s editorial board, to establish a rival Open Access journal Algebraic Combinatorics. The declared impetus for this transition to Open Access has been the importance of fairly priced Open Access options for the scientific community, in accordance with which the prospective journal plans to refrain from high Article Processing Charges (APCs) and profit-driven practices of the fee-based journal publisher, especially given that academic journals rely significantly on the volunteer labor of the scientific community.”