“Open-access platform opens opportunities for researchers by making designs reproducible and crediting the creators”
“‘Common wisdom,’ according to the authors of a new piece in Nature, “assumes that the hazard of predatory publishing is restricted mainly to the developing world.” But the authors of the new paper, led by David Moher of the Ottawa Hospital Research Institute, found that more than half — 57% — of the 2,000 articles published in journals they determined were predatory were from high-income countries. In fact, the U.S. was second only to India in number of articles published in such journals. We asked Moher, who founded Ottawa Hospital’s Centre for Journalology in 2015, a few questions about the new work.”
“Being published is the bread and butter of intellectuals, especially academics. publication, in theory, is a way for information to be shared across the globe, but it also has become big business. In a recent Chemistry World article the standoff between Germany’s Project DEAL (a consortium comprised of German universities) and Dutch publisher, Elsevier, is examined along with possible fall-out from the end result.
At the heart of the dispute is who controls the publications. Currently, Elsevier holds the cards and has wielded their power to make a clear point on the matter. Project DEAL, though, is not going down without a fight and Chemistry World quotes Horst Hippler, a physical chemist and chief negotiator for Project DEAL, as saying,
In the course of digitisation, science communication is undergoing a fundamental transformation process. Comprehensive, free and – above all – sustainable access to scientific publications is of immense importance to our researchers. We therefore will actively pursue the transformation to open access, which is an important building block in the concept of open science. To this end, we want to create a fair and sustainable basis through appropriate licensing agreements with Elsevier and other scientific publishers.
As publications are moving farther from ink and paper and more to digital who owns the rights to the information is becoming murkier. It will be interesting to see how this battle plays out and if any more disgruntled academics jump on board.”
“The Scholarly Communication Department attended several orientations and events for new faculty over the last few weeks. During these events, I have had the privilege of chatting informally with a faculty members about IU Bloomington’s new Open Access Policy. Faculty have a lot of questions about how the policy works, what kinds of scholarship the policy applies to, and author processing charges (or APCs).
The question that has been most difficult to explain quickly and effectively in these informal conversations has been about how faculty can ‘leverage’ or utilize the license established by the Open Access policy when negotiating with potential publishers. This post will explain in more detail what ‘leveraging the license’ means and clarify when in the publishing process faculty should attempt to negotiate. This post on leveraging the OA policy license is part one of a two-part series. The second post will explore the OA policy license in more detail, particularly when it concerns utilizing third-party content.”
“The Third Research Excellence Framework, scheduled for the mid-2020s, now has a mandate for open access books. Despite calls from the digitally enlightened, however, most humanities long-form writing remains very much ensconced within the traditions and economics (both symbolic and financial) of the printed book. In this talk, I will discuss the challenges of a migration from conventional books to an open access model and the range of approaches that are currently being taken.
In the age of data mining, distant reading, and cultural analytics, scholars increasingly rely upon automated, algorithm-based procedures in order to parse the exponentially growing databases of digitized textual and visual resources. While these new trends are dramatically shifting the scale of our objects of study, from one book to millions of books, from one painting to millions of images, the most traditional output of humanistic scholarship—the single author monograph—has maintained its institutional pre-eminence in the academic world, while showing the limitations of its printed format. Recent initiatives, such as the AHRC-funded Academic Book of the Future in the UK and the Andrew W. Mellon-funded digital publishing initiative in the USA, have answered the need to envision new forms of scholarly publication on the digital platform, and in particular the need to design and produce a digital equivalent to, or substitute for, the printed monograph. Libraries, academic presses and a number of scholars across a variety of disciplines are participating in this endeavour, debating key questions in the process, such as: What is an academic book? Who are its readers? What can technology do to help make academic books more accessible and sharable without compromising their integrity and durability? Yet, a more fundamental question remains to be answered, as our own idea of what a ‘book’ is (or was) and does (or did) evolves: how can a digital, ‘single-author’ monograph effectively draw from the growing field of digital culture, without losing those characteristics that made it perhaps the most stable form of humanistic culture since the Gutenberg revolution? Our speakers will debate some of these questions and provide their points of view on some of the specific issues involved. After their short presentations, all participants are invited to bring their own ideas about, and experience with, digital publishing to the table.”
“The WarSampo system 1) initiates and fosters large scale Linked Open Data (LOD) publication of WW2 data from distributed, heterogeneous data silos and 2) demonstrates and suggests its use in applications and DH research. WarSampo is to our best knowledge the first large scale system for serving and publishing WW2 LOD on the Semantic Web for machine and human users. Its knowledge graph metadata contains over 9 million associations (triples) between data items including, e.g., a complete set of over 95,000 death records of Finnish WW2 soldiers, 160,000 authentic photos taken during the war, 32,000 historical places on historical maps, 23,000 war diaries of army units, and 3,400 memoir articles written by the veterans after the war. WarSampo data comes from several Finnish organizations and sources, such as National Archives, Defense Forces, Land Survey of Finland, Wikipedia/DBpedia, text books, and magazines.
WarSampo has two separate components: 1) WarSampo Data Service for machines and 2) WarSampo Semantic Portal with various applications for human users.”
“An academic is boycotting peer review for a scholarly journal after it turned down a manuscript that had previously been published on the website of an education centre.
The journal in question said that if the author had posted the article behind a paywall on a conference website, it would have still accepted it for publication.”
The announcement comes at a time when we are seeing a rising tide of preprint servers being launched, both by for-profit and non-profit organisations – a development all the more remarkable given scholarly publishers’ historic opposition to preprint servers. Indeed, so antagonistic to such services have publishers been that until recently they were often able to stop them in their tracks. “