Passenger Pigeon Manifesto – A call to GLAMs – Google Docs

“A call to public GLAM institutions to liberate our cultural heritage. Illustrated with the cautionary tales of extinct animals and our lack of access to what remains of them….

We are supposed to learn from history yet we don’t have access to it. Historical photographs of extinct animals are among the most important artefacts to teach and inform about human impact on nature. But where to look when one wants to see all that is left of these beings? Where can I access all the extant photos of the thylacine or the passenger pigeon?

Historical photos are kept by archives, libraries, museums. Preservation, which is the goal of cultural institutions, means ensuring not only the existence of but the access to historical material. It is the opposite of owning: it’s sustainable sharing. Similarly, conservation is not capturing and caging but providing the conditions and freedom to live.

In reality, most historical photos are not freely available to the public – despite being in public domain. We might be able to see thumbnails or medium size previews scattered in numerous online catalogs but most of the time we don’t get to see them in full quality and detail. In general, they are hidden, the memory of their existence slowly going extinct.

The knowledge and efforts of these institutions are crucial in tending our cultural landscape but they cannot become prisons to our history. Instead of claiming ownership, their task is to provide unrestricted access and free use.

In reality, most historical photos are not freely available to the public – despite being in public domain. We might be able to see thumbnails or medium size previews scattered in numerous online catalogs but most of the time we don’t get to see them in full quality and detail. In general, they are hidden, the memory of their existence slowly going extinct….”

Open Access Digital Theological Library | a digital library for theology, religious studies, and related disciplines

“The mission of Open Access Digital Theological Library (OADTL) is to curate high-quality content in religious studies and related disciplines from publisher websites, institutional repositories, scholarly societies, archives, and stable public domain collections. The OADTL uses the world’s most advanced integrated library system (ILS) for cataloging and discovery. This system, OCLC’s WorldShare, makes content easily discoverable and retrievable. The OADTL is staffed by professional librarians and curates content without regard for theological or confessional perspective. It is hoped that the increased access to high-quality religious studies content will serve scholars and students of religion….”

Public Domain and misuse: some thoughts – Pagode

“An example of this, that particularly catched the attention of PAGODE – Europeana China because it relates to a Chinese cultural heritage item, has recently come to the stage: a beautiful image of a Chinese embroidered cloth (a so-called rank-badge) depicting a leopard, in PD from the Metropolitan Museum of Arts, was recently used to illustrate the cover page of the Centers for Disease Control and Prevention (CDC) Journal, titled “Emerging infectious diseases”.

The Journal and CDC were immediately flooded with expressions of outrage and concern of many from the Asian-American community and beyond, at the inappropriate use of a Chinese work of art on the cover and tweet-posting of a journal issue devoted to scholarly articles on COVID-19 and other respiratory infections.

The power of imaging should not be underestimated, as the choice of this image in such a context may suggest an emphasis on animals in China as carriers of the disease, resulting in an unvoluntary but certainly irresponsible example of using a PD digital item. The sensitivity about associating the COVID-19 crisis straightforward with China is clearly understandable, especially in America in this moment of xenophobia concerns and protests; but the explaination of CDC cuts short, by stating this is all a misunderstanding, and simply confirming that the image was chosen just for decorative purposes, being a striking piece of art – as indeed it is. At the moment, no reaction is known from the Metropolitan Museum of Arts as the content holder of the misused digital image.

The entire story is deepened in an interesting article by Hyperallergic magazine….”

AIB-WEB – Per l’immediato ripristino dell’accesso a Project Gutenberg

From Google’s English:  “The AIB Censorship Observatory considers it extremely serious and worrying that, by order of seizure of the Public Prosecutor’s Office in Rome as part of an investigation into digital piracy, the Guardia di Finanza has blocked access from Italy to the Project Gutenberg ( https://www.gutenberg.org/ ), freely accessible and non-profit portal that since 1971 has collected reproductions of books in the public domain, not subject to copyright.

As everyone knows, Project Gutenberg promotes the widest dissemination and knowledge of the registered cultural memory. For years it has been hosted by large universities that made their servers available, before becoming an autonomous organization, one of the main of this type and inspiring model for many other similar ones (such as the Manutius Project in Italy), mainly supported by work. of many volunteers.

We reiterate that it is one of the most qualified projects on the net, with a large amount of documents accessible for free in compliance with the US Copyright Act, because it is in the USA that it is based: they are works in the public domain, out of rights because they have always been public domain (such as the Bible) or because the maximum terms of duration of copyright have passed….”

Italian Public Prosecutor Says Project Gutenberg’s Collection Of Public Domain Books Must Be Blocked For Copyright Infringement | Techdirt

“Back in 2013, we made clear our concerns with the Italian communications watchdog AGCOM setting up new administrative copyright enforcement powers that would allow them to simply up and declare sites to be infringing, at which point ISPs would be ordered to block websites. Soon after that Italy’s public prosecutor seemed to decided that part of his job was also to order websites blocked based solely on the public prosecutor’s say so.

In the latest such order from the Public Prosecutor’s office declaring a list of sites to be infringing, apparently Italy has decided that the famous and wonderful Project Gutenberg website, which is a repository of public domain books, must be blocked. I don’t know about the other 27 sites listed in the order, but Project Gutenberg is no piracy site. Yet here it is ….”

The case for open access | Apollo Magazine

“For a growing number of museums, providing open access to online collections is seen as crucial to engaging with the public and serving their wider missions. While select institutions began exploring open access a decade ago, the practice is now becoming mainstream. In February, the Smithsonian released 2.8 million images of its collections for unrestricted public reuse. This spectacular announcement followed recent initiatives by the Cleveland Museum of Art, Paris Musées, the Metropolitan Museum of Art, and others. All are part of the Open GLAM (Galleries, Libraries, Archives and Museums) movement that advocates for liberal access to and reuse of public domain collections.

A key Open GLAM principle is that works in the public domain – meaning copyright has expired or never existed – should remain in the public domain once digitised. This may sound obvious but the reality is less straightforward. Copyright law in this area is complex and lacks international harmonisation….

The evidence from open access museums shows that foregone revenue from image licensing is generally outweighed by an increase in brand visibility and new opportunities for revenue generation. Adopting open access need not prevent museums from undertaking commercial partnerships….

Most museums lose more money than they make on image licensing….

In the UK, a small but growing number of institutions are responding to the call. The first to embrace open access was the National Library of Wales, which now employs a ‘National Wikimedian’ to develop collaborations and services that advance the representation of Wales and the Welsh language on Wikimedia projects. York Museums Trust releases the majority of its online images to the public domain. This year, Birmingham Museums sponsored an art remix contest with artist Coldwar Steve and the local creative community Black Hole Club, inviting the public to respond imaginatively using Birmingham’s open collections….

Open access can also be transformative inside heritage institutions. One year after the Cleveland Museum of Art’s open access launch, its chief digital information officer, Jane Alexander, noted the following impacts: increased updating of attribution, provenance and collections information; curators forging new connections with scholars; and resources being reallocated from responding to image requests to supporting digitisation. The vast majority of the museum’s online users who are looking for images now self-serve from its online collections, freeing up valuable staff time….”

Project Gutenberg and the Crusader of Copyright – Andrea Monti

“A few days ago, on May 11, 2020, the Court of Rome issued a web access blocking order against gutenberg.org. This domain was “seized” as part of an investigation against copyright infringement and the illegal distribution of newspapers and magazines following the technical investigation of the Guardia di Finanza’s privacy and technological fraud Special Branch (Nucleo speciale tutela privacy e frodi tecnologiche)  

This would be nothing odd, except the fact that, in reality, gutemberg.org is a project for the digitization and free online publication of books in the public domain, i.e. on which there are no rights of economic exploitation (in practice, publishers are not entitled to profit from the work of authors). It is quite difficult to “make money” to the detriment of publishers if publishers have no rights on those books, but the investigators did not notice it, and the judge did not check….”

If I could radically reshape copyright law for research | Martin Paul Eve | Professor of Literature, Technology and Publishing

“So what, as a thought experiment, might it look like to rethink copyright? What would I suggest if we could get new primary legislation in the UK to change research and copyright arrangements?

I would make it so that research produced by employees at publicly funded research universities could not be placed under copyright. (i.e. were committed to the public domain.) A downstream provision could be included that would mean that no new copyright could be placed on such work by dint of design, typography etc.

I would abolish the implementation of EU Directive 2001/29/EC, at least for academic researchers. This directive makes it a criminal offence to break Digital Rights Management/Technical Protection Measures on digital files. Without the modification or abolition of this criminal directive, even public-domain work can be unusable for text mining.

I would allow academic researchers to re-use and to re-publish material, even that in copyright, that is necessary for their work. In other words, I would absolve academic researchers and institutions of copyright offences that are necessary to conducting their work. This would include distributing in-copyright articles and books to colleagues; publishing in-copyright images and videos that are necessary for work. I would include a clause that such re-use must include attribution credit.

I would extend the current copyright exemptions for text and data mining to a blanket non-commercial research exemption. I would add an allowance to circumvent any API rate limiting or other technological protection measure for the purposes of mining material for research purposes….”

Sketchfab Launches Public Domain Dedication for 3D Cultural Heritage

“We are pleased to announce that cultural organisations using Sketchfab can now dedicate their 3D scans and models to the Public Domain using the Creative Commons Public Domain Dedication (CC0). This newly supported dedication allows museums and similar organisations to share their 3D data more openly, adding amazing 3D models to the Public Domain, many for the first time. This update also makes it even easier for 3D creators to download and reuse, re-imagine, and remix incredible ancient and modern artifacts, objects, and scenes.

We are equally proud to make this announcement in collaboration with 27 cultural organisations from 13 different countries. We are especially happy to welcome the Smithsonian Institution to Sketchfab as part of this initiative. The Smithsonian has uploaded their first official 3D models to Sketchfab as part of their newly launched open access program….”

How to Use and Find Public Domain & Open Access Resources

“In this webinar we will discuss the do’s and don’ts of making and using “free” online resources.

We’ll also share insights and suggest reliable tools to ensure you’re pulling fair assets from the web. We plan on answering questions from the audience, so make sure to come equipped with all your burning questions surrounding fair use, open access, and the internet!…”