As is well-known, these satellites, which are orbiting ESA since 2014, provide high-resolution radar and optical imagery on our planet:”
Abstract: “For the past several years, many libraries have been developing institutional repositories to house their open access publishing efforts to both showcase and preserve their faculty’s research. Some of those same libraries have been building sizable digital collections, often built from digitized versions of materials in their special collections. So what happens when you put these two groups together? The University of South Florida Tampa Library did exactly that by creating a new Digital Scholarship Services unit. The union of these two groups has created new synergies between staff in complementary areas of the library, as we combine unique skill sets from each group to offer new services to the faculty. This presentation will discuss why this change was made, examine some of the benefits and growing pains of this change, and showcase some of the unusual projects that have resulted. For example, a group of faculty from the College of Education has a multimodal project featuring new methodological approaches for analyzing various formats such as websites, images, and film. The library also has two research associates who are archaeologists creating three dimensional representations of artifacts for cultural heritage preservation that are now embedded with metadata in the repository. Creating such collections not only highlights the university’s work but provides materials professors can use to enhance their course curricula and use technology to engage students in new and innovative ways.”
“Since 2010, Clemson University and the National Park Service have collaborated on the Open Parks Network, an Institute of Museum and Library Services funded project that has resulted in the digitization of over 350,000 cultural heritage objects and 1.5 million pages of gray literature housed in the libraries, museums, and archives of our nation’s parks, historic sites, and other protected areas. More than 20 national parks and other protected sites are represented in these diverse collections, as well as 2 state park systems and 3 university libraries. The Open Parks Network provides public access to high-resolution, downloadable files….”
“From close-ups that capture the animated life of insects, to aerial views of vast landscapes, the 2017 BMC Ecology Image Competition has produced a terrific array of images that reflect the variety of research in progress in the field. All images are open access and available under a Creative Commons Attribution 4.0 license.”
“Richard Knipel, the Wikimedian in residence at the Metropolitan Museum of Art, looks back at the efforts made and future plans to further support collaboration between the museum and the Wikimedia movement.”
“Collecting data from international partners, analyzing it, creating a reconstruction of Palmyra in virtual space, and sharing the models and data in the public domain. We are using digital tools to preserve heritage sites.
Hosting live workshops and building a network of artists, technologists, archaeologists, architects, and others to research, construct models, and create artistic works. We create exhibitions and experiences in museums and institutions globally, celebrating the cultural heritage of Syria and the world through the lens of architecture embodying culture and power.
Helping to advance open data policies in museums and institutions through advocacy, education, and consultation.
Together with our international affiliates, #NEWPALMYRA sources archaeological and historical data, shares it with the community, and outputs art exhibitions, salons, and creative works using this data to carry the rich history of Palmyra forward to new generations….”
“Scientific results are communicated visually in the literature through diagrams, visualizations, and photographs. These information-dense objects have been largely ignored in bibliometrics and scientometrics studies when compared to citations and text. In this project, we use techniques from computer vision and machine learning to classify more than 8 million figures from PubMed into 5 figure types and study the resulting patterns of visual information as they relate to impact. We find that the distribution of figures and figure types in the literature has remained relatively constant over time, but can vary widely across field and topic. We find a significant correlation between scientific impact and the use of visual information, where higher impact papers tend to include more diagrams, and to a lesser extent more plots and photographs. To explore these results and other ways of extracting this visual information, we have built a visual browser to illustrate the concept and explore design alternatives for supporting viziometric analysis and organizing visual information. We use these results to articulate a new research agenda – viziometrics – to study the organization and presentation of visual information in the scientific literature….”
“Europeana Photography is now launching as the outcome of a collaboration between Europeana and PHOTOCONSORTIUM, the International Consortium for Photographic Heritage. Giving access to a vast archive of historical images, it’s a treasure trove of carefully selected pictures from the first 100 years of photography. The latest thematic collection on the Europeana platform, Europeana Photography presents high-quality images and compelling stories from Europe’s most astonishing historical picture collections. Just be warned: once you’ve stepped into our time capsule, you’ll never want to leave!”
“I have noticed before people on Flickr who give their work a CC license and then complain that folks take their photos without informing them (attribution, yes; informing/thanking, no). Sure, it’s good courtesy to thank folks if you use their photos, but such a hassle to do it for each photo you use on a slide deck or such. The whole point of using CC licensed stuff is to not always ask permission. That’s what the CC license is. Permission to anyone. To do what the license permits you to do. I realized that I always ‘favorite’ any photo I’m planning to use, so I guess I’m giving the creator some kind of indication that I like their photo, but not really telling them I’m planning to use it, or how.
I remember learning this the first time someone republished something of mine without my permission. If it’s CC licensed, the whole point is to tell them they don’t need to seek permission each time. It’s good courtesy, I think, to inform the author, but it’s not necessary. But it’s complex. If a for-profit entity republished my CC-BY-NC article, but publishes it openly and for free, is that a commercial use? What if the space has ads on it, is that a commercial use? If I publish my blog CC-BY and a for-profit magazine regularly republishes it, am I really OK with that? Am I OK with a magazine with values opposed to my own constantly republishing my stuff without my permission? What about if they take derivatives of my writing and use it in a different context, to really make an opposing point to mine, is that acceptable to me? These are not trivial questions, I think, for openness advocates to ask themselves.”