“We are pleased to share the news that Reveal Digital has joined the ITHAKA family. Reveal Digital is a small innovative company that uses a unique library crowd-funded model to support the development of open digital collections. In partnership with libraries, Reveal Digital raises funds to digitize, clear rights and make available special collections that have been aggregated from universities and other institutions. Now affiliated with ITHAKA, Reveal Digital will continue to provide an open access publishing model for special collections where libraries drive the program. …”
“I periodically write about Google Books here, so I thought I’d point out something that I’ve noticed recently that should be concerning to anyone accustomed to treating it as the largest collection of books: it appears that when you use a year constraint on book search, the search index has dramatically constricted to the point of being, essentially, broken….
What’s going on? I don’t know. I guess I blame the lawyers: I suspect that the reasons have to do with the way the Google books project has become a sort of Herculaneum-on-the-Web, frozen in time at the moment that anti-Books lawsuits erupted in earnest 11 years ago. The site is still littered with pre-2012 branding and icons, and the still-live “project history” page ends with the words “stay tuned…” after describing their annual activity for 2007….”
“Following the publication of the Plan S Implementation Guidance, EUA reiterates its supports for Plan S, and its vision to accelerate the transition to full Open Access, even if more details on Plan S will still need to be fleshed out in the future. EUA is looking forward to a renewed version of the Implementation Guidance and is encouraging more research funders to sign or follow Plan S. On behalf of its members in national rectors’ conferences and universities, EUA offers to continue the dialogue with research funding organisations on the implementation of Plan S….”
“If the dissemination of almost all scientific research can be achieved by one solitary hacker based in Eastern Europe, what could possibly be making these articles so expensive to produce? It’s not like publishers are covering the cost of doing the scientific research. That bill is picked up by the taxpayer. And the peer reviewing is usually donated labour.
The huge – and arguably humanitarian – Sci-Hub project is making the publishing industry more than a little nervous. In 2017, Elsevier successfully sued Elbakyan for $15 million in the US. In another case brought against Sci-Hub in 2017, the court awarded $4.8 million in damages to the American Chemical Society….
Publishers are now on the back foot in price negotiations because the unspoken threat of Sci-Hub lingers in the air. With around 300 institutions in Germany and Sweden refusing to renew their subscriptions with Elsevier, thousands of researchers had their access to journals suspended. How long before those stranded academics resort to piracy?
Sci-Hub may be the match that finally ignites the open access revolution, but what do we really know about the woman at the helm? What is she like? What is her end goal? Who is funding her operation? Is she an ally or a threat to the West?…”
” The Association of American Publishers has reviewed the 2018 documents authored by David R. Hansen and Kyle K. Courtney on the subject of unauthorized library copying for the purpose of digital transmission of entire books to the public. These documents (collectively the “White Paper”) argue that libraries engaging in this activity do not infringe copyright in literary works because such copying and transmission falls within the fair use and first sale doctrines under the invented theory and White Paper definition of “controlled digital lending” (“CDL”).
AAP strongly disagrees with the analysis of the White Paper and its call to libraries to copy and transmit copies of entire books to the public in disregard of the law. CDL not only rationalizes what would amount to systematic infringement, it denigrates the incentives that copyright law provides to authors and publishers to document, write, invest in, and disseminate literary works for the benefit of the public ecosystem….”
“We’re very pleased to announce the release of two documents that we believe have the potential to help greatly expand digital access to print library collections by helping libraries do online what we have always done in print: lend books.
Both documents are aimed at addressing the legal and policy rationales for what we term “controlled digital lending” — a method by which libraries loan digitized print books to digital patrons in a “lend like print” fashion similar to how non-digital patrons check out books in-person. Through CDL, libraries use technical controls to ensure a consistent “owned-to-loaned” ratio, meaning the library circulates the exact number of copies of a specific title it owns, regardless of format, putting controls in place to prevent users from redistributing or copying the digitized version….”
” “Controlled Digital Lending” or “CDL” is a recently invented legal theory that allows libraries to justify the scanning (or obtaining of scans) of print books and e-lending those digital copies to users without obtaining authorization from the copyright owners. A position statement on CDL, along with an accompanying white paper, was issued this past October by legal scholars, the culmination of several academic meetings on the subject. The statement and paper argue that it is fair use for libraries to scan or obtain scans of physical books that they own and loan those books through e-lending technologies, provided they apply certain restrictions akin to physical library loans, such as lending only one copy (either the digital copy or the physical copy) at a time and only for a defined loan period.
A couple dozen organizations, including Internet Archive, as well as a number of academics and academic librarians, are listed as signing the position statement. Several major library systems, including the California State University libraries and the Boston and San Francisco public libraries, are signatories and apparently already rely on CDL to e-lend scanned copies of books….”
“The UC Berkeley Library took an important step forward today in improving widespread digital access to its vast collections. Along with the UC Davis and UCSF libraries and the California Digital Library, the Library became an early signatory to a newly released position statement supporting rights for libraries to digitize in-copyright works in their collections, then lend them according to the same lending terms as the original print copies. The position statement, developed by copyright scholars from multiple institutions, as well as policy counsel for the Internet Archive, is accompanied by a white paper that outlines legal rationale for how controlled digital lending can be implemented to enable electronic access to certain library collections….”
“The recent nomination and appointment of Brett Kavanaugh to the U.S. Supreme Court offered a timely opportunity to demonstrate how controlled digital lending can be used by libraries to circulate digital copies of books that are out of print or not widely held. The basic premise of controlled digital lending is “own one, loan one”—rather than loaning a physical book in their collection, libraries can choose instead to loan a scanned version of that book to one user at a time, while the physical book remains on the shelf.
A key player during the confirmation hearing was Mark Judge, a friend of Kavanaugh’s who wrote the book Wasted: Tales of a GenX Drunk, describing his raucous, alcohol-fueled high school years. Judge’s memoir was published in 1997 by Hazelden Publishing, the publishing arm of the Hazelden Betty Ford Foundation, which runs the recovery centers where Judge was treated for addiction. The book had a limited print run and subsequent shelf life—it was not widely held by libraries outside of those focusing on addiction and recovery. Interest skyrocketed once Judge’s book entered the public consciousness, but because the book was no longer being sold by the publisher and used copies were scarce, when available at all, its price on Amazon.com topped out just under $2,000.
Boston Public Library (BPL), a long-time scanning partner with Internet Archive, located a copy of Wasted in their research stacks. Those books are only available for use within the library, so the book was never going to circulate. Tom Blake, Manager of Content Discovery at BPL, sent the book down to be scanned by Internet Archive book scanners in their in-house digitization center. Internet Archive staff digitized the book using the same procedures and equipment that have been used to digitize more than 55,000 books from BPL’s collection since the partnership with Internet Archive began in 2007. Using existing workflows and post-production processes, the physical book was scanned and turned into a digital book complete with page images, OCR text, and mobile-friendly formats before being placed online at https://archive.org/details/wastedtalesofgen00judg….”